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March 30, 2009

Misadventure On The High Seas...

Freighter My grade two teacher was a sadist. Why else would you make a classroom full of seven-year-olds cry by showing them a bunny cartoon? Watership Down, of course, is no ordinary bunny cartoon; based on the award-winning 1972 fantasy book about several societies of anthropomorphized rabbits coming into conflict, it’s violent, bloody and has many little bunny rabbits being harmed and killed. When the only cartoons you’ve known previously are of the sunny, happy Saturday morning variety, the brutality of Watership Down is an innocence-destroying horror-show (I'm not the only one to suffer from this film either).

Later, I discovered horror comic books, namely the stuff from EC Comics and its imitators. Gruesome imagery, sanity-sapped protagonists and plots twisted with ironic punishment are the hallmarks of these types of tales. In Alan Moore’s Watchmen, the comic book within the comic book, Tales of the Black Freighter, is tribute to the classic horror comics, a reoccurring tale throughout the series, which also comments on the main superhero story (it's seen as a metaphor for Ozymandias' character arc).

It was never intended to be part of the theatrical cut of Watchmen, as the film is long enough, but director Zack Snyder did insist on having it made, with the intention that is would later be reinserted into the director’s cut of the movie (a bad idea, as it would be a momentum killer if doled in chunks throughout the movie). In the meantime, you can (and should) see it on DVD, as Warner released it last week, packaged together with the faux documentary program special on the original superheroes of the Watchmen world, based on original Night Owl Hollis Mason’s Under the Hood. While Under the Hood is a great companion tied to the Watchmen film, Black Freighter stands on its own as an EC comic book come to life. Fleshed out to a 38-minute short film, it’s a terrifically crafted story for fans of The Watchmen, lovers of classic horror comics or just anyone up for a well told tale of the sea that has enough gore to paint your sails crimson and fill a hundred chum buckets with entrails.

The story, which has been fleshed out to encompass more than Moore’s original tale, begins with sea captain, “The Mariner” (voiced by 300’s Gerard Butler), nearly drowning amidst the dead bodies of his crew and the wreckage of his ship – victims of the demonic pirate ship the Black Freighter. Washed up on a beach with the rotting corpses, he decides to make a raft in order to return to Jamestown in time to stop the Freighter’s evil crew from harming his home and family. In a particularly disgusting sequence (read: awesome), he lashes the bloated gas-filled bodies to the raft and sets sail. Here, his insanity is given ample time to flourish while he hallucinates two-way conversations with the green, mushy head of his former first mate.

Although the puke-coloured bodies and The Mariner’s crazed visage are very reminiscent of the EC stuff, in keeping with Moore’s style, the dialogue in The Black Freighter is more literary than you’d expect (our fractured hero spouts his increasingly crazed soliloquies with Victorian verbosity), which is an ideal counterpoint to the lurid colours and atrocities on display in the short.

Moore's story was influenced by "Pirate Jenny," the song in Bertolt Brecht’s Threepenny Opera. Of course, that’s great ‘n' all, but you wanna watch this for the scenes where sharks attack The Mariner’s raft, chewing on the dead bodies, or perhaps for the red-eyed demonic pirates, or maybe the murderous hallucinations that lead to the tale’s bloody, desperate conclusion. In addition, the DVD contains a 25-minute documentary discussing the place of both Under the Hood and Tales of the Black Freighter in the world of Watchmen.

I’d love to see an entire series comprised of this style of animated horror stories. Brightly coloured, mostly rendered in detailed hand-drawn animation and fearlessly nasty (several heads get smashed open in a variety of ways throughout the course of the tale – if you’re still not sold on just how grim this is), Tales of the Black Freighter might even shock my cruel, cruel grade two teacher, wherever she is. And that's despite a lack of rabbit atrocities.

 

-Dave Alexander

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About the Authors

Dave AlexanderDave Alexander

Dave Alexander is the Editor in Chief of Toronto-based Rue Morgue magazine, which specializes in “horror in culture and entertainment.” Originally from Edmonton, he holds a degree in Film and Media Studies from the University of Alberta, has made award-winning short films, worked as freelance writer for publications such as Spin and Maxim and currently programs a monthly movie night at T.O.’s Bloor Cinema. If you don’t love The Big Lebowski, he doesn’t want to be your friend.